Artist Faculty



Dr. Marilyn Taylor – Soprano;
Voice Department Chair; Witherspoon Wilder Endowed Professor in Opera
B.M., M.M., University of Louisville; D. M., Indiana University
Appearances with orchestras including the Bonn Philharmonic, Prague Chamber Orchestra and the Brooklyn Philharmonic. Numerous leading roles with regional opera companies.
Marion Pratnicki – Mezzo-soprano
 B.M., SUNY, Fredonia, M.M. Indiana University
Appearances with numerous opera companies including Glimmerglass Opera, Dallas Opera, New York City Opera, L’Opera de Montreal and Vancouver Opera
Glenn Siebert – Tenor
 B.M., M.M. Indiana University
Leading roles and appearances with prestigious opera companies and orchestras including the San Francisco Opera, Santa Fe Opera and the New York Philharmonic


Nicholas Muni – Artistic Director; Stage Director
B.M. Oberlin Conservatory of Music
Productions at San Francisco Opera, Houston Grand Opera, New York City Opera, Prague National Theater, Canadian Opera Company, Victoria State Opera (Melbourne, Australia), Opera Ireland, and Theater Erfurt
Steven LaCosse – Managing Director; Stage Director
 B.M., Indiana University, South Bend; M.M., University of North Texas; M. S. Indiana University; D.M., Indiana University.
Professional stage director, assisted James Lucas and Giorgio Tozzi of the Metropolitan Opera.


Angela Vanstory Ward – Principal Coach; Accompanist; Malcom and Patricia Brown Endowed Professor in Opera
B.A. Lenoir Rhyne College; M.M. With Honors, New England Conservatory
Coach/Accompanist/Recitalist/Asst. Conductor , NEC, Boston Conservatory, Boston’s Handel & Haydn Society, Central City Opera and Wolf Trap
Mary Ann Bills –  Pianist
 B.M. Washington State University; M.M. University of North Carolina Greensboro


Hans Gabriel – German
B.A., University of North Carolina-Chapel Hill; M.A., Ph.D., University of Virginia.
Nancy Goldsmith – Italian Diction; Supertitles
B.A. degree in Romance Languages from Boston University, M.A. in Italian Literature from Brown University, Ph.D. in Italian Literature and Renaissance studies from the University of North Carolina at Chapel Hill. Has created supertitles for more than 20 operatic productions from Monteverdi’s Tirsi et Colri (1616) to Ward’s The Crucible (1961).